Since arriving from New Orleans in June 2007, Michael Wagner has established himself as one of New York City's most unique live performers.
As a solo performer, Wagner can silence an entire room with ukulele songs like "Spooky Uke", confounding listeners with his tabla-like drumming. His playing style is so unique that it has garnered him international attention, most recently with his appearance at the 2008 Paris Ukulele Festival.
With his band, Chappy, Wagner surprises audiences with both uncommon instrumental lineups (guitar/sax/tuba trios to sextets including violin, drums and accordion), and a surprisingly loud and animated set. Channeling a much angrier version of Django Reinhardt, Wagner writes songs of "joyful discontent", drawing inspiration from mindless employment, the joys and pitfalls of dating strippers, and his love-hate relationship with the City of New Orleans, his former home.
The energy of Wagner's performances draws listeners in, reminding them that while life may be miserable, it's no excuse not to have fun.
As a solo performer, Wagner can silence an entire room with ukulele songs like "Spooky Uke", confounding listeners with his tabla-like drumming. His playing style is so unique that it has garnered him international attention, most recently with his appearance at the 2008 Paris Ukulele Festival.
With his band, Chappy, Wagner surprises audiences with both uncommon instrumental lineups (guitar/sax/tuba trios to sextets including violin, drums and accordion), and a surprisingly loud and animated set. Channeling a much angrier version of Django Reinhardt, Wagner writes songs of "joyful discontent", drawing inspiration from mindless employment, the joys and pitfalls of dating strippers, and his love-hate relationship with the City of New Orleans, his former home.
The energy of Wagner's performances draws listeners in, reminding them that while life may be miserable, it's no excuse not to have fun.
